totally blown away by a total, amazingly talented stranger, Elijah Fredericks, feeling inspired by my story ‘Delirium’ and creating this fantastic and evocative comic strip.
Thank you for bringing Mia to visual life!
totally blown away by a total, amazingly talented stranger, Elijah Fredericks, feeling inspired by my story ‘Delirium’ and creating this fantastic and evocative comic strip.
Thank you for bringing Mia to visual life!
Mia opened her eyes. Her lids, with the long black lashes that her Auntie Patsy said made her look like a “living doll”, were heavy with sleep. She rubbed her eyes with the back of her wrists in a circular motion and yawned until she heard that little click in her jaw that had existed since that time he had slapped the left side of her face with the full force of his flattened hand because she had “talked back” to him.
He had been stupid drunk then. He was, she guessed, drunk now too. It had been the reckless, clumsy banging of the front door that had awoken her again. The walls of their tenement block of flats were paper-thin so she could easily hear her Ma skelling him out.null
“Jacob Hendricks!”, she reprimanded him in a hushed, hoarse whisper. “What time is this to come home? And during Lockdown, past curfew? Never mind the state of you! Do you want to get arrested?”
Mia sat up and swung her legs over the edge of the top bed of the double-bunk she shared with her older sister, Stacey. Mia used to sleep in the bottom bed but now that Stacey was pregnant, her belly growing rounder and heavier on her skinny 16-year-old frame by the day, they had to swop beds. Mia had stuck silver and gold star stickers, like the ones Grade R teachers plak on the foreheads of snotty little learners, on the low ceiling above her bed. And a picture of Shawn Mendes that she had torn out of her Ma’s YOU magazine. She loved her cosmic haven and she was mos 11 now and not a baby anymore.null
Mia climbed down the pine ladder attached to the bed and tiptoed across the small room to the door. She pushed the handle down slowly and cracked the door open a little. She had a clear shot of the kitchen from her room. Her father, dressed in his baggy, faded denim jeans, camouflage print jacket and steel-toe workmen’s boots, was hunched over and swaying slightly.
“My bokkie,” he responded, slurring his words. “What ish a man to do, hey? I’ve losht my job, this Corona virus is going to kill usss all dead. I jusht wanted to let off a little s-s-s-steam.” He shrugged his shoulders, feigning innocence.
Like a professional ballerina performing the perfect pirouette, Mia’s mother spun around swiftly. Standing on tiptoes in her worn house slippers and modest peach nightie, she extended her arm, retrieving the Ricoffy can which lived behind the tomato sauce, Mrs. Ball’s Chutney and some other canned food.
Mia held her breathe.
He had taken it.
“You took it.”
“Yesss, I took it.”
Mercia let out a soft, heavy sigh. She made the sign of the cross over her body as she stood, in their second floor low-income flat at 2 o’clock on a Wednesday morning. She shook her head slowly.
“That was the last money we had.” The anger had left her voice, replaced by an unmistakable tone of defeat. Mia knew that her Ma didn’t want to provoke him; that she knew the level of vicious violence he was capable of.
She took two steps across the brown and beige linoleum floor towards her inebriated husband. Placing two fingers under his chin, she lifted his face up so that his eyes could meet hers.
“I will pray to our Heavenly Father to help us find an answer but we know what this means.” Mia’s father labored to keep his wife’s gaze.
“It’s alright, bokkie,” he reassured her, planting a kiss on her forehead. “It won’t be like the last times. Promise.”
A cold chill passed through Mia’s body. She knew it would be exactly like the last few times: by sunrise, her father would get The Sickness again.
As the bleeding sky slowly illuminated the Cape Flats, Mia stood in the kitchen, chewing on the last piece of the slightly burnt slice of toast she had prepared for herself. Food was in short supply too so she only ate when she absolutely had to. The sound of her stomach rumbling and growling became familiar and comforting. It meant that she was not being a burden to her parents. Stacey’s pregnancy had bought, her Ma had said, “shame to the family”. Mia wondered if her Ma was grateful for Lockdown because it meant Stacey could stay closeted away indoors and Ma didn’t have to explain “the dirty secret” to the gossiping neighbours or her fellow prying parishioners at St. Joseph’s Baptist Church.
An uneventful morning melded into an unexciting afternoon. Mia couldn’t even chat to her friends on WhatsApp or watch Tik Tok videos on her sister’s phone. Stacey, whose boyfriend sent her data every time Her Majesty requested it, had the phone practically glued to her palm. Mia wished her Ma didn’t take Lockdown so blerrie seriously. She treated it like The Plague had descended upon them while other people acted like nothing had changed.
She watched a bit of TV with Stacey, who only emerged from their bedroom to grace them with her royal presence at about one o’ clock. The screen of the small plasma TV had a spider web crack on its surface from when her Pa had thrown an ashtray at Stacey the day she had told them that she was knocked up. Mercia went about the busy business of dusting, praying, polishing, wiping, praying, sweeping, praying, vacuuming, mopping every other corner of the flat, except her own bedroom. And all three of them ignored the high-pitched moaning and throaty groaning that came from that room. All three of them ignored the sound of vomiting and spitting. All three of them tried their best to pretend The Sickness hadn’t come to rest in their home again.
Later, standing in front of the open fridge, summoning food that would never appear, Mia saw her Ma take a blister pack of tablets out of the kitchen cupboard where they kept the Vicks Acta Plus and Panado. She held the three small yellow pills in her outstretched palm then closed her fingers over them tightly. She exited the kitchen, bound for the bedroom. Mia knew those were the pills that would make her Pa sleep through the night.
As Mia lay looking up at her starry sky, planning her celebrity wedding to Shawn, she could hear her Pa snoring. She could hear Ma settling down to sleep on the couch. Stacey was tick-ticking away on her cellphone. Secrets could not survive in her flat, in the blokke. She pulled her thin pillow up on both sides to try and muffle the noise of the snoring, the ticking, everything that sounded like a moerse rubbish truck riding around inside her head.
Day One: done.
Tomorrow, The Sickness would grow larger. Mia shut her eyes. In the darkness behind her closed lids, she could already see the torture that tomorrow would bring.
“Mia!” she heard her Pa summon her, his voice croaky, shaky. Mia had a horrendous night’s sleep, slipping in and out of terrifying, lucid nightmares and aggravating insomnia. She jumped when she heard her name. Her Ma, who was frying an egg for her husband which she knew he wouldn’t eat, muttered something about “Jesus”, “sin” and “forgiveness”. Mia knew exactly what her father wanted and knots of rebellious anxiety started forming in her stomach.
As she entered her parents’ bedroom, the repulsive stench of stale alcohol pervaded the boxy space, making her want to retch. The yellowing lace netting curtains over the small windows of which only one could open, her Ma’s gleaming oak trousseau chest, the ornately carved dressing table with its sparkling mirror that had belonged to her grandmother and that Mia pretended to model in front of, the worn, green plastic bucket next to the bed for to catch her Pa’s vomit, and her father lying in a pool of his own perspiration and pain: all familiar to Mia. She stood looking down at an alcoholic mass of skin and bones. His eyes were shut and so she stood in one spot on the brown-grey carpet, in almost reverential silence. She interlinked her fingers and twisted them, a nervous habit she had developed since the Corona virus had begun infesting the country.
Her Pa, Jacob “Jakes” Hendricks, lay curled up on his bed under the floral bedspread, a folded up damp facecloth on his forehead, sweating from every conceivable pore and twitching involuntarily every so often. Mia loved her father. He had been tall and strong, able to pick his youngest daughter up in his arms once. He was funny, charming and loved to tell stories. She knew he was the eldest son of a large and suffocating orthodox Christian family. Mia also knew that her father had left school after Standard 8 to go work “on the Docks” to support his family, or try to get away from them, she wasn’t quite sure. He still worked on the ships in the Dockyard and often he would have one or two of his co-workers over for a drink to watch the cricket or rugby. Mia had overheard one of the appies comment that he looked up to Jakes because he was one of the manne and that he wanted to be just like him; that Jakes wasn’t a moffie and could hold his liquor. Jakes, laughing heartily, showed his approval by pouring another round.
Jakes took a fancy to Rum and Coke, and occasionally a nice cold beer. The increase of his drinking was slow, insidious but undeniable. Each day was ended off with a night cap at the local shebeen in Myrtle Road and every morning he would prepare a tall blue and black coffee thermos – which very definitely did not contain so much as a drop of coffee – to take to work. Now, with the ban of the sale of alcohol imposed by the government during Lockdown, it was becoming more and more difficult to obtain dop and Jakes succumbed to The Sickness more often.
Mia shifted her weight from one foot to another, waiting, waiting. Jacob finally, and as though in slow motion, opened his eyes. He blinked a few times, trying to focus on his youngest daughter.
“Stacey,” he whispered, “come closer.”
“Its me, Mia,” she replied, standing her ground.
“Oh, oh, of course,” he stretched out his tremoring hand, which looked skeletal. “Mia, my liefie, come closer. Please.”
She took one small step forward but made sure she was not within his reach. “What is it, Pa?”
“I need you to do your Pa a favour, Mia-tjie,” he whispered, conspiratorially. He had maneuvered himself up onto his elbow but was still trembling and jerking. Mia felt scared and sick. She bit hard on her bottom lip and twisted her fingers into painful knots. No, she thought. Anything but that. I just can’t.
”I need you,” he continued, trying to regain control of his disobedient limbs, “to go to Boeta Gamiet and get your Pa some of his special cooldrink.”
Mia nearly laughed out loud. Clearly he thought she was still a naïve child, calling it “special cooldrink”. She inhaled deeply, then immediately regretted it as her lungs filled with the fumes of sour alcohol and old vomit, then responded, “I can’t. Its Lockdown and Ma won’t let me outside and we don’t have any money to buy you boo…. er…. cooldrink.”
Propelled by frustration and fury, Jacob suddenly sat up from where he had laid prostrate, and grabbed Mia’s left wrist, wrapping his thumb and index finger around her thin fragile bones, twisting and squeezing them. Mia instinctively pulled her arm away but it only caused him to apply more painful pressure.
“I don’t care,” he growled. “You get your fokken gat to Boeta Gamiet NOW! Buy a bottle of Rum ‘oppie boekie’. He knows I’m good for it.”
“You’re hurting me,” she whimpered. Tears were welling up behind Mia’s eyes, her wrist throbbing with agonizing pain, but she knew better than to show weakness.
“Okay, Pa,” she agreed. Jacob released his grip on her wrist and collapsed back onto the bed. He mopped his forehead with the threadbare face cloth, rolled back over onto his side and coughed uncontrollably. Mia was sure he was going to throw up so made her way out of the room, passing her Ma who was taking the fried egg on toast to her husband. No more than a minute later, Mia heard the sound of vomiting.
In her room, she quietly slid her feet into her takkies and pulled Stacey’s black hoodie over her head. Stacey was still sleeping soundly which was the only reason Mia could get away with wearing her clothes. She tied her hair up in a ponytail and grabbed one of the blue masks that Stacey had gotten at her visit to the day hospital to check on the baby.
Mia walked quietly passed the kitchen, where her Ma was washing the dishes. She knew her mother would disapprove of her mission but if she didn’t do it then her Pa would get even more sick, like last time. He would start seeing and hearing things and talking to people that weren’t even there. And if it got really bad, by tomorrow he would possibly have those seizures which Ma said made him “look possessed like Satan himself was shaking his soul”.
She opened the front door quietly and slipped out, shutting it just as softly behind her. She put the baby blue mask on. The weather had turned and the sky was in a despondent mood, dark clouds glowering and casting a miserable monotone over Mia’s neighbourhood. Mia ran down the concrete steps of her block of flats, and jogged down the narrow lane that ran down the side of the fragmented flats. She hated the lane because it felt suffocating, like it would collapse in on her at any second. The mask felt like it was suffocating her too; she felt like she was underwater, under dirty, murky, slimy water.
Mia exited the lane and crossed the sandy, dusty park that formed the centre of the eight tenement blokke. Mia had a vague memory of the park’s apparatus being freshly painted in a rainbow of colours. She recalled the wind streaming through her hair as she clung on for dear life onto the metal bar of the blue roundabout. But no young children played in the park anymore. There were no more shrieks of delight from any youthful voices. Now, it was where the teenagers hung out until late doing what Ma called “unspeakable acts of sin” and where drug dealers and gangsters, stood around the gellieblik, warming their hands against the chill of the night air while plotting sinister ploys against rival gangs or just hanging gat and talking shit. It was 11 o’ clock in the morning and the park was, thankfully, deserted.
The weather was considering its next move. So was Mia. She pulled the hood over her head and pulled the drawstring to cover as much of her face as possible. She was practically running now; only two blocks to Boeta Gamiet. She passed the babbie shop where usually she spent her money on airtime and Spookies.
There was a police van parked outside, the boere smokkeling cartons of entjies with the owner. Mia slowed down so as not to draw attention to herself in the middle of the day but picked up speed as she rounded Myrtle Street. She knew it was the blue house, third from the corner on the right. She lifted the hook off the rusty gate, pushed it open and closed it behind her. The walk up to the front door seemed endless. Mia climbed the two steps where the maroon paint had peeled off in places. She took a deep breath, knocked on the door secured with a security gate then stuffed her hands into the pockets of the hoodie. She heard shuffling inside. Someone opened the door a few centimetres. Droopy eyed and with a pronounced lisp, Mia could tell that he wasn’t sober.
“Wat wil jy hê? We arrren open.”
“My Pa. Jakes Hendricks. He really needs something, anything. He’s really sick.”
“Fokkof,” came the intoxicated response. “We arrren evens open, lightie.”
He began closing the door. Mia stuck her foot in between the security bars, preventing the door from closing.
“My Pa knows Boeta Gamiet. Just ask him. Jakes. He comes here every night almos’. Please, just ask. She wiped the few tears that had begun to roll down her cheek fiercely with the sleeve of the hoodie.
I’m not a baby anymore. I can do this. Stop blerrie crying!
The boy’tjie wiped his nose with the back of his hand and, having opened the door wider, sized Mia up and down.
“You think you’re brave, nuh? Wait here.”
The wind had started whipping up around Mia’s ankles. She shivered and looked up and down the street. There was no one around. She felt the fear like a box of rocks in her stomach; the bile rising up in her throat.
“Boeta says it’s alright. You can come in.”
Mia took a step back, “No, thank you. It’s orrait. I’ll wait here.”
He was insistent and had begun unlocking the padlock on the security gate, “Come in, girlie. You can come get some dop for your Pa inside.”
Mia wanted to run back down the pathway. As the gate swung open with a creak, a familiar numbness came over her and she forced herself to walk across the threshold of the shebeen. She knew that her Pa’s credit had not been accepted at Boeta Gamiet’s for a long time now. He didn’t know that but she very painfully did.
The last five times Mia had come to get booze for her father during Lockdown, she had been his credit.
I have just come from a talk by the author of the book, ‘We don’t talk about it ever’. Desiree – Anne Martin. I’ve met her several times in writer’s circles but never heard her speak about her story or read her book. While I still hold some of my feelings in tact, having let […]NOT A BOOK REVIEW: we don’t talk about it. ever. — Niki Malherbe
It was three years ago, this month, that I decided to crack open the most vulnerable parts of myself and start this blog. It was three years ago that I decided to share my most sacred truths and “heart scribblings” with the world.
I was brave and courageous and scared shitless. The usual committee meeting in my head tore out their hair and wailed and there was much gnashing of teeth. “Why?”, they screamed in unison. “Why would we let people, friends, strangers, know our innermost secrets? We are secret-keepers. It is our legacy. We will be breaking all the rules!”
Oh, fuck the rules.
I felt determined to end the painful pattern, to break the sickening cycle, for myself and for others who I hoped my words would resonate with and would come to rest on their hearts. Yes, I was ballsy then. I furiously penned short stories and poems, purging the secrets and the damning lies. The blog started something: my own revolution. The one that starts when you simply whisper to yourself, “Yes, I love you.”
The blog formed the essential framework for what would become my book, my published memoir, “We Don’t Talk About It. Ever.” It formed the brave blueprint for a long-held dream that eventually came true a year ago. But it also started a conversation. People responded saying, “I felt that way too!” and there was an insistence that we must start talking about the stigmatised issues such as abuse, trauma, identity, addiction, mental health issues. It had always been my hope that my words touch just one person but they pierced the thinking of so many for which I am eternally grateful. Thank you, everyone who has read the book, who follows my blog. Thank you for holding my words so gently in the palms of your hands.
I have to admit: I’m not feeling particularly brave today. In fact, I’m caught up in one of my unpredictable and overpowering cycles of hopelessness and hurt. I feel hollow and empty and there is no particular reason why. That’s the fun part of having bipolar: you never know when or in what form or why its going to hit you. This feels like being punched in the gut repeatedly by a prize-fighter. But I can’t be quarantined or cosseted away somewhere. I have to do what I have to do even if it feels like I’m dragging my broken bones. I’m even surprised I wrote this. In moments like these, I lose my words entirely.
The reason I’m writing that is because three years ago, I vowed to speak my truth. I pledged to purge the pain and strip myself naked and live my truth. And this is my truth today: everything changes, anything is possible, where there truth there is hope.
And there is always hope. Always.
Believe more deeply; hold your face up to the Light even though, for the moment, you do not see.Bill W. Co-founder of Alcoholics Anonymous.
I’ve just been helping my husband and two daughters decorate ye olde Christmas tree and I feel a massive migraine coming on. Perhaps, it may even be an aneurysm. I believe I already know the answer to this question but am I the only one who wants to strangle herself with tinsel at this time of year?
My two girls, aged 11 and two and a half, are delirious with excitement at the coming of the blessed Noël. My oldest is blasting “100 Greatest Christmas Hits” from her iPad as we untangle masses of lights that have become obscenely intimate with one another while in storage and wipe the dust from the much-used baubles and the same pious-faced angel that has perched atop the tree for many a Saviour’s birthday.
George Michael is lamenting giving his heart away last year and I am smiling through gritted teeth, trying very hard to muster up the appropriate amount of Christmas cheer for the auspicious occasion. I’m also trying very hard not to be overly-OCD about where the decorations go on the tree. I am showing remarkable restraint, I think.
The little dictator… sorry, toddler… has positioned herself firmly inside the box from which the spiky tree has just been removed and is yelling, “Santa! Christmas Tree! Angel! Presents!” at the top of her lungs. My kids believe in the magic of Christmas and I truly want them too. I want them to be dizzy with excitement and filled to the gills with festive anticipation. The 11 year old, with much reluctance and a tinge of sadness, admitted to not believing in Father Christmas anymore this week but she is doggedly drumming up elation in her younger sister in the most loving and adorable way. She wants her to believe in the magic, just like she did, too. It is the sweetest act of sisterly love. She loves Christmas whether or not she believes in a Caucasian, bearded guy who has been sliding down a chimney we didn’t have for the all of her remembered life. (She suspended her disbelief in the most impressive manner and for the longest time. Serious props.) Santa or no Santa, she really fucking loves Christmas.
I, however, do not like Christmas. Not even remotely. I am, basically, The Grinch incarnate. Just Coloured and with masses of undisciplined, curly hair. Aesthetics aside, I would also steal Christmas like a cranky-ass thief if I could. I do not like the tangible frenetic build-up to the festive season, where the energy in the air screams manic consumerism and faux festive cheer. I do not wish to deck the halls with boughs of fake holly or hang the stockings by the chimney with care. I cringe visibly when I hear endless loops of Christmas carols about soft, new-fallen snow blasting through the tinny speakers of shops when the reality is that the only Winter Wonderland I’ve walked through lately has been the chilling air-conditioned aisles of Woolies, and when I eventually finish enduring the heaving masses and endless queues, I step outside and bake to a near-crisp in the blazing African sun. Not a snowflake to be seen for miles. The Christmas they sell us is the one we invariably buy.
Let me be frank: I have a solid collection of eclectic disorders in my mental health arsenal so with anxiety, depression and mixed mood states knocking on my brain’s door like Jehovah’s witnesses, there is no part of these holidays that makes me happy. On the contrary, it makes me mildly hysterical. I wish to hide and weep and rock myself gently while in the foetal position until it is all over. I’ve been in recovery from substance addiction for a while now so I can’t even drown my sorrows in multiple helpings of Christmas pudding. I just want Christmas to go away. Is that too much to ask for Christmas?
I feel this way because this season is a reminder that, in the glare of the flashing, seizure-inducing Christmas lights, I feel alone and that no one will truly understand why.
This season unashamedly reminds me that I am the product of a deeply dysfunctional family-of-origin, a broken one steeped in tragic and unresolvable toxicity.
It reminds me that there will be no joyous family gathering.
It reminds me that I have to pretend for others.
It reminds me that there are certain expectations of how I should behave or feel.
It reminds me that I am still a hurt little child who so badly wants to believe. In something, anything. Just not my lived reality.
It reminds me that I feel lost at this time of year, buried under the weight of what should be and what never was.
I reminds me that I miss my family.
I’ve chosen to actively disengage from certain slow poisons because of a deepened, healthy sense of self-preservation but losing family is a monumental loss and the absence of familial connection can be so distressing and unimaginably isolating. It’s hard to let go of toxic relationships but it is often necessary to sustain one’s own sanity. And that’s a mission I’ve undertaken over the past few years but I still often feel like I’m going crazy. Despite all the evidence pointing to the fact that I have made the right decision, I still feel, somehow, that I’ve made a mistake. That I am the mistake. Ah, the dysfunction runneth deep. And when the television adverts and Christmas specials scream “happy families” and “happy endings”, it’s hard to reconcile the primal need for connection with the difficult choice to let go. Add to that the end-of-year fatigue and annual mental and emotional burn-out, it makes me want to scream like a banshee into the holy night.
And I know, or at least I sincerely hope, that I am not alone. Christmas isn’t a jolly, holly experience for everyone. Most people, if they’re truly honest, feel at their loneliest and most disconnected and psychologically disjointed at this time of year. Some people are entirely alone; they have no family at all. I work in the helping profession and it always baffles me how we sit on a knife’s edge of savage emotion, barely keeping our shit together, all year and then, come December, we are expected to miraculously be happy. It really makes no fucking sense to me.
So I’m giving myself a new, different kind of gift this year: the gift of authenticity, the gift of being human. Great gift; execution level difficulty: mammoth. But I’m going to do my damnedest.
I’m allowing myself to grieve an inexplicable, unexplainable loss. I’m recalling brutal memories and wrapping them gently in forgiveness. I’m expressing my true feelings as they arise uncomfortably and inconveniently only to those that get it. I’m avoiding the frenzy and hype (and the shopping malls). I am connecting, albeit virtually (because: ew! people!), with other self-confessed “orphans and atheists” who are also products of damaging dysfunction. I am choosing my repurposed “family”. I am hand-selecting the people who love me and understand me. I am gathering my own family close – my loving, understanding husband and two amazing girls – and we are creating our own Christmas traditions and throwing in a pinch of that elusive magic so that my daughters aren’t also traumatised at this time of year until the end of their days. That is one of my gifts to them, cheap as it may sound, that they don’t associate this time of year with brokenness and heartache.
For me, this year has been primarily about boldly speaking my truth and now, going forward, it’s going to be about living my truth. This is much easier said than done but I refuse to inflict this intolerable pain on myself any longer.
Now, pass me the tissues and that damn tinsel.
Published August 2018 by Jacana/MF Books
Desirée-Anne Martin is a force. For recovery. For self-love. For hope. Witness the last three sentences of her book – in the Acknowledgements: “And to all the hurt little – and grown-up – girls, this story is for you. There is always hope. Always.” But don’t be fooled. This is not a sweetness and light story. Precious few fairies appear in it. In fact you need to hang on tight for a rof-and-ready roller-coaster ride of note. And this, by the by, despite a comfortably middle-class and lacking-for-little background, as the chapter entitled “Don’t swim after eating” implies. That stopped me in my tracks: my own mother used those very same words on many an occasion. But the swimming-pool-in-the-back-garden social veneer, it turns out, is very thin.
Here, as evidence, is the structure – deceptively ordered at first, except for perhaps a hint of trouble in the middle… Part 1. The Rules. Part 2: Breaking the Rules. Part 3: Fuck the Rules. Part 4: The New Rules. Part 5: Bending the Rules. As you can tell, Ms Martin is not one for rules… Nevertheless, each chapter is carefully named and the typefaces used in the book are elegant; but then there’s that dystopic cover… and that less-than-romantic byline: “A girl who searched for love but found destruction instead.” Not exactly Mills & Boon then.
Like I say, few silver linings. And so, along the way, the language pulls no punches; the shattering descent into addiction is graphically described. Immediate, visceral, utterly believable, she paints a dark picture of a deeply unstable, tortured life of multiple addictions. But then, somehow, miraculously, she survives.
You will be relieved to know, there is some – though not much – dark humour as well, as her back cover bio hints: “A recovering addict, she believes caffeine, cigarettes, chocolate and bacon are the four major food groups.”
Hang in there for that humour – it saves this memoir from being unrelentingly brutal and hopeless and allows, finally, as the LRC’s Dawn Garisch describes it, for this lovely summary: “Desiree-Anne Martin has spun the straw of addiction into gold.” Bearing in mind how tight a hold drugs and addiction have on South African lives, we really need these flashes of gold, those “true words that will, somehow, begin to heal that which has been broken.” Between the covers of “We Don’t Talk About It. Ever.” you will find those true words. Go read them.
[Yet another reason to buy this book as a gift for yourself or others this season!]
an excerpt from my memoir, We Don’t Talk About It. Ever.
available at Amazon and all good bookstores.
if you haven’t read the book yet (and if not, why not?!), read the free sample of the first few chapters, available on Amazon.
you will be hooked. promise.
an excerpt from my memoir about the heritage of coloured hair.
A series of portraits and stories of survival from South African women who are adding their voice to the “Me Too” movement of fearless expression.
— Read on sarahisaacsphotography.com/2018/06/26/me-too-speaking-our-truth/
finally! my book cover can be revealed! so in love with the design ♥️
out in August. available everywhere.
this is an extract from my memoir…
Words are my drug of choice.
They are my refuge; they are my panacea. They are the antidote to the poison that runs through every artery and vein of the anatomy of my childhood. Long before the hastily inhaled cigarettes that burned my throat during second break, half-hiding in between the crumbling headstones of the long-forgotten brides of Jesus up at the small convent cemetery. Long before the bottles of Bioplus mixed in cups of too-strong coffee that kept my heavy eyelids from drooping while I poured over mind-numbing high-school calculus equations and heady historical facts about dead people and disremembered places. Long before the back-end of the toothbrush connected with my epiglottis forcing the acidic, bilious contents of my stomach to lurch out of my mouth and leave telltale splatters across the toilet bowl. Long before the shiny blister packs of slimming tablets that would make my heart race and jaw tremble and makes me rub my hungry, concave belly with reticent glee. Long before that first sip of cheap, red wine ran into my parched veins and quenched every thirsty cell of my body until it felt like I had come home at last. Long before I submerged myself in the unbearable heat of that scorching bathwater over and over again to relieve the unbearable pain of what lay trapped within. Long before the codeine daydreams and the benzo comas. Long before the endless stream of men and women that filled my mouth, my cunt, that filled any void that existed. Long before LSD made my unconscious bleed all over my reality. Long before the dizzying nights of delirious dancing spurred on by the piles of cocaine I snorted up my raw nostrils and even before the chemical hazy halcyon Ecstasy-laced weekends where I fell in love with everything and everyone except myself; and long before the crack pipe burned my bottom lip and pinned me up against the wall, scrambling for an exit route; and yes, long before the needle pricked my flesh and sent that noxious, precious elixir straight to my orphaned soul and cradled it and made it whole. Long before all of that, there were words.
I remember smuggling a book into the toilet on a Sunday afternoon during my designated naptime when I was four years old. I already had problems sleeping when I was supposed to. I was teaching myself to read, having stolen my older brother’s Kathy and Mark readers from his brown boxy school case. Kathy has a bright red dress and milky white skin framed by hair cut in a severe brown bob that never moves no matter how much she was urged by Mark to: “Run, Kathy, run!” Mark also runs a lot, in his short blue shorts and knee-high socks accompanied everywhere by their dog, Spot. They run everywhere, they frequently sit on the mat, they ride on the bus to the City with their Mum who wears a smart green hat and a coat, and once they drive in the car with their Dad who also wears a hat which he takes off every evening when he comes home from work.
I recall sitting on that cold tiled toilet floor, the avocado green and white-patterned tiles – tracing the words with my index finger and matching them to the garishly coloured illustrations of a smug, dawdling tortoise and an arrogant, reckless hare. I remember my frustration at not being able to decipher some of the words. I wanted to know them. I needed to know what happened. I remember the look on my mother’s face as it appeared at the crack of the open door: surprise, then anger and disappointment. I felt ashamed, found out. I instinctively hid my book behind my back. I hid my words. Like I would hide everything else that would come after.
And later I would achieve small literary victories: having stared for what seemed like an eternity at a large ornate framed black-and-white photograph of my mother on her wedding day that rested on the white melamine TV unit – trying and failing to make sense of the words printed beneath the photo – one day the phonetically pieced together “VAN KALKER P-A-H-O-T-A-G-R-A-P-E-E-H-Y-A-H” suddenly and magically made sense and I yelled at the top of my childish voice, much as I imagined Archimedes proclaimed, “Eureka!”, “PHOTOGRAPHY!” I marched triumphantly around the house repeating the newly discovered word over and over again, “Photography! Photography! PHOTOGRAPHY!” This made no sense to any of my family members, but I didn’t care to explain it. The word, the unearthed treasure, the reconstructed jewel, was mine.
When my brother was in Standard One and I was in Sub A (which would later come to be known as Grade 3 and Grade 1 respectively), he would climb into the car after school bemoaning the fact that he had to learn a four stanza poem about seashells on the sandy seashore by the end of that week. I had it memorized and could recite it by the end of the 20 minute drive home.
Once I could read confidently, I consumed books, in fact, all reading matter I could get my hands on. I inhaled words, chewing and digesting them greedily at any given opportunity. Blurry-eyed and bent over my runny porridge, during car rides despite my stomach swirling and my head pounding from carsickness, propped up in my bed long after the 8 o’ clock TV news jingle had signaled that it was time for my brother and I to go to sleep, during school holidays where I would scour over prescribed set work books and finish them long before the academic year even began, anywhere and everywhere, I wrapped words around me like a steely suit of armour.
I would write too. I started my first “Secret Diary” at age 9, inspired by The Secret Diary of Adrian Mole and I would journal well into my late twenties and again in my thirties. I would religiously scribble my one-dimensional observations and fickle feelings down onto paper in my oft-criticized, untidy script. I would use the diaries as a tool of self-expression, but also as a tool of blatant manipulation, leaving them open on certain pages in strategically placed locales for my prying mother to find if I wanted to communicate something that I was too afraid to do directly. Like asking for my first bra.
Words became my guaranteed escape from the lies and the secrets, from the trauma and the terror. I found solace in the fantastical worlds that books offered and the inviting landscapes that my imagination conjured from the dry, sweet-scented pages.
Later I found refuge in the words of annotated scripts and dense screenplays. Words that had a transformative effect on my domain, and even more so on my identity. In drama class at school, at the theatre school that I secretly auditioned for and gained acceptance into, I could morph into anything, anyone. Just, please dear God, anyone that wasn’t me. I could take myself away from my reality and slip into any space and time, just by uttering a few appropriated lines or manipulating my larynx and changing my accent. I hid behind the safety of others’ words because mine always seemed insufficient or often entirely absent.
Words held unimaginable power. Words, when pieced together in a certain manner, exerted great influence. I became adept at weaving stories, a mixture of fabrications and quasi-truths, to cover up the reality of how utterly ruined I felt inside. I learnt early on that I was a remarkably convincing liar and that deception slipped off my forked tongue easily and without reason or apparent provocation. I lived in a constant state of semi-realism, blending fantasy with reality and spinning it around myself like a comforting cocoon. I used anything, any form of control, to not feel the excruciating pain of the truth.
But I am done with deceit. Lies hold no more allure for me. Laurie Penny, feminist commentator and author wrote, “All I’ve ever wanted to do with writing is to move the world in small ways with words,” and that is the sum total of my most humble hope. That I find my words again and that they form my truth and that truth is steadfast and undeniable.
That my words connect with another and move them to tell their truth.
And that words will, somehow, begin to heal what has been broken.
exceptional en point commentary on our current chaotic climate.
The Great Ani DiFranco Plantation Kerfuffle of 2013 has been something of a boon to people who debate and study race in America. In DiFranco, anyone who’s ever cared about race or Birkenstocks has had a light cast on the perception of just how far race matters have really progressed, which is to say, not as far as we thought. DiFranco is progressive and hip and down for the cause…and, as it turns out, completely full of white privilege. She rolled with booking a plantation for a retreat, then faux-apologized (poorly) for that decision, then a couple of other notable friends defended her abysmally, and finally she issued what most people consider a more genuine – if late – apology with all the appropriate feels (and 80% less foot in mouth). So while she isn’t Michael Fassbender from 12 Years a Slave, it turns out she might be kicking…
View original post 1,541 more words